Philosophy
In nova fert animus mutatas
dicere formas corpora.
Ovidius · Metamorphoses I.1–2The Eternal Poet
Publius Ovidius Naso knew that his name would never die. In the fifteen books of the Metamorphoses, he had attempted nothing less than a history of the world through its transformations: gods into bulls and swans, a statue into a woman, a king into a bird. Nothing stays what it was, but nothing is ever quite lost.
Rome's first emperor exiled him to the shores of the Black Sea. But Ovid's poetry would travel far beyond the boundaries of the empire. For two thousand years, writers from Shakespeare to Shaw, painters from Titian to Waterhouse, and creatives of all types have returned to his stories. His influence lives wherever beauty drives obsession, desire transforms its object, and images take on their own lives.
OVID carries his name. A house of small transformations, for people drawn to beautiful things and comfortable with a changing world.
Narcissus
Of all the transformations Ovid imagined, Narcissus is ours. A boy who wasted away pining for his reflection. History would declare him a tragic figure or even a ridiculous one, but we understand. Beauty is an end unto itself. If mortals wish to partake, we can only offer the sacrifice of our gaze.
What we believe
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Transformation
Everything changes
Transformation is the nature of things. Beauty changes shape, desire changes its object, and nothing remains quite what it was.
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Beauty
Vanity is good
We are drawn to beautiful things because they are beautiful. We lean toward the water as he did, curious about what we are and what we might become. Narcissistic, and we know it.
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Danger
Beautiful, if deadly
Every beautiful thing has an edge. The rose has its thorn, the pool its depth, the mirror its pull. We gather things you could fall into.
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Self-love
For my eyes first
Ovid's advice to lovers, turned toward the mirror: become lovable to yourself first. Dress for your eyes first; undress for them too.